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We all have been touched by Alfonso Quaron’s film “Roma”. It is without question a cinematographic accomplishment that will inspire future generations of artists and which has revived an image of Mexico City we thought long gone. Yet, I wish not to write about the film itself, but rather explore one of its many interpretations. Over the last days, a plethora of columns, op-eds, debates on TV and coffee tables have surged in response to the film. "This is a clear example of the two Mexicos" one can hear in a background conversation between two modern intellectuals in a pub in Coyoacán; “we are a class society!, the movie clearly shows that!” can be read in one of the newspaper columns; even i